Marlene Capell

Click Image To View Painting & Details

Portal X, 2006
Portal X, 2006
Portal XIV, 2006
Portal XIV, 2006
Portal XIII, 2005-06
Portal XIII, 2005-06
Portal IV, 2005-06
Portal IV, 2005-06
Portal VII, 2005-06
Portal VII, 2005-06
Portal XIII, 2004-06
Portal XIII, 2004-06
Portal IX, 2006
Portal IX, 2006
Portal V, 2006
Portal V, 2006
Portal IV, 2006
Portal IV, 2006
Portal IV, 2003-06
Portal IV, 2003-06
Portal VII, 2006
Portal VII, 2006
Portal VIII, 2006
Portal VIII, 2006

 Portal XI, 2006
Portal XI, 2006
 

 

 

Gloria Delson Contemporary Arts

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VARIATIONS

 

Marlene Capell's recent abstract paintings refer to remnants of ancient structures as the source for her compositions. Much like ancient archeological sites, the canvases reflect the passages and process of time as the surfaces are built up with paint, layer over layer, obliterating and reworking, concealing the past but leaving hints of what came before. Ultimately, it is this evidence of the painting process that becomes the focal point of her paintings.

Capell says of her work, " I visualize these paitings as a reflection of life as well as a connection to our ancient beginnings and other cultures throught time. I begin by building non-objective architectonic forms, which evolve from my fascination with Stonehenge and Lion Gate of Mycenae. I use a specific kind of formal structure to provide order out of the vast multitude of available choices. Rather then perceptually rendering or recreating the appearance of these monolithic structures, working non-objectively allows me to speculate, change and uncover.

Just as each civilization is built upon the structure of previous ones, I believe our lives are a process of building one experience upon another. As many of these paintings are painted over previous ones, revealing the history of themselves, they become a metaphor for growth and evolution. For me this is also the exchange between the careful rational mind and the desire for spontaneity and a measure of surprise. The challenge becomes just how much freedom I can allow myself.


 

Curriculum Vitae

 

BORN: Los Angeles, California

 

EDUCATION:

University of California, Los Angeles

Study with Martin Lubner, Lubner Studio, Los Angeles, California

 

PARTICIPATING ARTIST:

Los Angeles County Museum of Art - Art Rental/Sales Gallery

 

GALLERY REPRESENTATION:

FIG Gallery, Santa Monica, California

Gloria Delson Contemporary Arts, Los Angeles California

Film Art LA, Los Angeles, California

ArtDimensionsOnline.com

 

SELECTED SOLO EXHIBITIONS:

2007 - FIG Gallery, Santa Monica, California

2004 - FIG Gallery, Santa Monica, California

2002 - FIG Gallery, Santa Monica, California

2000 - FIG Gallery, Santa Monica, California

1999 - FIG Gallery, Santa Monica, California

1998 - Simon/Schade Gallery, Los Angeles, California

1998 - FIG Gallery, Santa Monica, California

1994 - Susan Street Fine Art, Solana Beach, California

1994 - Deborah Schiller Hadl Art, Culver City, California (2 person)

1992 - City of Los Angeles Cultural Affairs Department,

1992 - West Los Angeles City Hall Gallery, Los Angeles, California, "Portals"

1989 - Art Space Gallery, Los Angeles, California, "Paintings"

 

SELECTED GROUP EXHIBITIONS:

2004

FIG Galley, Santa Monica, California

2003

FIG Galley, Santa Monica, California

2002

Rio Hondo College, Whittier, California

2001

FIG Galley, Santa Monica, California

2000

Finegood Gallery, West Hills, California - Juror: Ruth Weisberg

Don O'Melveny Gallery, West Hollywood, CA

FIG Galley, Santa Monica, California

1999

Joy Taylor Gallery, California

The Studio Gallery, Los Angeles, California, "Grand Openning"

1998

Gallery 825, Los Angeles, California, "Brushstrokes"

Long Beach Arts, California, "93rd National-Open"

1997

City of Brea Gallery, Brea California - Juror: Noel Korten, "Made in California"

Gallery 825, Los Angeles, California - Juror: Scott Canty, "Objects / Images / Ideas"

1996

Gallery 825, Los Angeles, California - Juror: Peter Frank, "Gallery 825 1996 Open"

Gallery 825, Los Angeles, California - Juror: Bruce Everett, "New Works"

U.C.L.A. - Hammer Museum of Art, Los Angeles, California, "LA Current: The Female Perspective"

Cypress College Fine Arts Gallery, Cypress, California

1995

Palm Springs Desert Museum, California - Juror: Dr. Henry T. Hopkins, "26th Annual Juried Exhibition"

Long Beach Arts, California - Juror: Dr. Henry T. Hopkins, "92nd National Open Exhibition"

1994

Torrance Joslyn Fine Arts Gallery, Torrance, California, "Portals"

Deborah Schiller Hadl Art, Culver City, California

Valerie Miller Fine Art, Palm Desert, California

1993

Los Angeles Municipal Art Gallery, California - Juror: Dr. Henry T. Hopkins

Gallery 57, Fullerton, California - Juror: Dr. Henry T. Hopkins, "Intimate Spaces V"

Boise State University, Boise, Idaho

Los Angeles County Museum of Art, "Rental #7", California

University of North Dakota, Grand Forks, North Dakota , "1993 National Art Competition"

1992

Community Visual Art Association Jackson Hole, Wyoming - Juror: Charles Garabedian, "Artwest Open National Competition"

Finegood Art Gallery, West Hills, California - Jurors: Josine Ianco-Starrels and Scott Canty, "Emerging Perspectives of California Artists"

Art Store Gallery, Los Angeles, California, "Selections from the Lubner Studio"

Berkeley Art Center Association, Berkeley, California, "8th Annual National Juried Exhibition"

Seattle Art Fair, Seattle, Washington

1991

Art/LA 91, Los Angeles, California

Mt. San Antonio College, Walnut, California, "New Connections"

County of Los Angeles Century Gallery, Sylmar, California, "Passages: From Abstraction to Realism"

Art Space, Los Angeles, California, "An Opening and a Closing"

Contemporary Artists' Arts, Los Angeles, California

Westwood Place, Los Angeles, California, "Recent Paintings"

Southern California Womens' Caucus for the Arts, Los Angeles, California - Juror: Noriko Gamblin, "Annual Juried Exhibition"

Westmorland County Community College, Youngwood, Pennsylvania, "Westmorland Art National"

1990

Los Angeles Open Arts Festival, Los Angeles, California

Southern Utah State College, Cedar City, Utah

"Greater Midwest International V", Central Missouri State University, Warrensburg, Missouri

1989

"8th Annual Competition," Alexandria Museum of Art, Alexandria, Louisiana - Juror: Neal Benezra

1988

Long Beach Art Association, California - Juror: Carol S. Eliel

 

STUDIO LECTURES/TOURS:

1999 Sylvia Greer Artworks, "Open Studio Tour", Los Angeles, California

1993 Nemiroff Deutsch Fine Arts, Santa Monica, California

1991 Suzanne Siegel, "Current Art in Los Angeles," U.C.L.A. Extension, Los Angeles, California

1990 Maxine Rubenstein Nemiroff, "The Art of Collecting Art," U.C.L.A. Extension, L.A., California

Carol Friedman, "Visits to Artists' Studios and Galleries", Los Angeles, California

 

HONORS/RECOGNITIONS:

1995 Second Award, Palm Springs Desert Museum - Juror: Henry T. Hopkins (Chair, U.C.L.A. Art Department; Director, U.C.L.A. at the Armand Hammer Museum of Art & Cultural Center)

 

BIBLIOGRAPHY:

Reviews:

Artweek Magazine - April 2001, Vol 32: Issue 4 - Lois Allen

Los Angeles Times - June 30, 1989 - Marlena Donahue

Catalogues:

Southern Utah University, Cedar City, Utah, "Architecture: Artists - Interpretations" April 1 - April 30, 1993

University of North Dakota, Grand Forks, North Dakota, "1993 National Art Competition" April 1 - May 1, 1993

Boise State University, Boise, Idaho April 2 - April 23, 1993

Central Missouri State University, Warrensburg, Missouri "Greater Midwest International V" January 16 - February 16, 1990

Alexandria Museum of Art, Alexandria, Louisiana "8th Annual September Competition", August 5 - September 9, 1989